A holiday classic portrays alcoholism
Frank Capra’s “It’s a Wonderful Life”
Movie Review: One of the greatest movies of all time is the holiday classic, “It’s a Wonderful Life,” staring James Stewart playing George Bailey and a very young and gorgeous Donna Reed, who becomes Mrs. Bailey. The story is one that answers the age-old question, “Why are we here?” by offering a tour of an alternate history of a world in which we were never born, in this case a visit to Bailey’s Bedford Falls without Bailey. Upon seeing the calamities befalling his town without his efforts at protecting the drunk pharmacist from filling a prescription with poison, saving his brother from drowning and defending the town against the evil Mr. Potter, a humble George Bailey slowly begins to realize his own self worth. The observation by the tour guide, Angel Clarence, that “each man’s life touches so many other lives” was a poignant precursor to the barely six degrees of separation we have between us.
For the alcoholism-aware, this movie may seem a bit confusing. Alcoholism appears in the very beginning, when Mr. Gower, the pharmacist, is shown drinking behind a door as 12-year old George comes to work. While young George merrily whistles away, Gower, who is so drunk he’s almost slurring, yells, “You’re not paid to be a canary.” But George shows understanding as he reads the text of a recently delivered telegraph bearing news that Gower’s son has died of influenza.
Although Gower is a sympathetic drunk, death is just another excuse to drink for the alcoholic, while it is a time for sober reflection and mourning for the non-alcoholic. It is also a time when errors are more likely to occur. Gower slaps George’s ears for failing to deliver a prescription, but shows genuine remorse when he realizes he had accidentally filled the pills with poison. But even an alcoholic might apologize to an employee for saving his hide. Gower’s addiction becomes obvious when, in the alternate universe of a world without George Bailey, he is portrayed as a panhandling street drunk, having served 20 years in prison for involuntary manslaughter.
The real alcoholic story, however, is one unrecognized in the movie. Crusty old Mr. Potter, played by Lionel Barrymore, is never once shown drinking. Yet he engages in power-seeking behaviors, doing anything to gain control over everything in Bedford Falls (which, in the alternate universe, becomes Pottersville, complete with sleazy bars, strip clubs and pawnbrokers). Conniving to keep $8,000 that was intended for George Bailey’s building and loan company is just the culmination of a number of nefarious misbehaviors in which Potter engages. Because alcoholism best explains the conduct, the only flaw in this great movie is the omission of even one scene showing Potter drinking heavily, or one in which he might be shown hiding his stash. Perhaps such a scene ended up on the cutting room floor, edited out by a real-life alcoholic.